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Challenging Traditional Curatorial Practices
Contesting Cinco
de Mayo: Cultural Politics and Commercialization of the
Postwar Fiesta by José
M. Alamillo
Conceptions and Representations
of Latinos and Mainstream Museums in the United States
by Mary Elizabeth Avila
Arriving at the River’s
Edge: Curatorial Trends in L.A. by reina
alejandra prado saldivar
Passing on Latinidad:
An Analysis of Critical Responses to El Museo del Barrio’s
Pan-Latino Mission Statements by Yasmin
Ramirez
Historicizing Narratives
Aztlan in Arizona:
Civic Narrative and Ritual Pageantry in Mexican America
by Dolores Rivas Bahti, Ph.D.
Constructing Race through
Visual Culture: Medicalized Representations of Mexican Communities
in Early-Twentieth-Century Los Angeles by Natalia
Molina
Identifying Mestizo
Phenomena: Representation and Reclamation of Mestisaje’s Foothold
by Estévan Rael-Gálvez, Ph.D.
Projections
of Homeland: Remembering the Civil War in El Salvador
by Ana Patricia
Rodríguez
Borders and Diasporas
“Cultural Memory in the
Rituals of the Mexican Diaspora in the United States: the
role of the corridos about immigration played by conjuntos
norteños and the aesthetics of the bailes norteños” by
Martha Idalia Chew-Sanchez
Latinization: A Cultural
History of Latinos’ Contributions to Central Arizona by
Angelica M. Docog, PhD
Aesthetics: Beauty
Integrating the Museum:
Contemporary Latino Art in Context by Rocio
Aranda-Alvarado
Catwoman vs. The
Leafblower: Lowriders, Power Tools and Latino Aesthetics
by C. Ondine Chavoya
Chicana Critical
Pedagogies: Chicana Art as Critique and Intervention by
Judith Huacuja Pearson
The Cyber Arte Exhibition: A
Curator’s Journey Through Community and Controversy by
Tey Marianna Nunn, Ph.D
The Chicanization of
Mexican Calendar Art by Tere Romo
The Body: The Real and the Symbolic
Racialized Identity:
Perceptions of body in “The Story of My Body” by Melba
I. Amador
Embodied Archives:
Dance, Memory, and the Performance of Latinidad by Ramón
H. Rivera-Servera
Border-Crossers
and Zeroes: Violence and Identity in Elia Arce’s performances
and Robert Karimi’s “Self-the Remix” by Gustavo
Adolfo Guerra Vasquez
Bodies of Evidence:
Representation and Recognition on the Mexican Border by
John McKiernan-Gonzalez
Bibliography
About IUPLR
Conference Agenda
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