Educational Activities
 
 

Lesson 3:

Targeted Grade Level: 7-12

Lesson objective: To engage students in an on-going national discussion around issues of identity, cultural and unity through the first-person narratives of Charros and Charras.

National History Standards and [1] Objectives: This lesson addresses the following national standards. Please adapt them to align with your local standards.
Standard 2E: The student understands how a democratic polity debates social issues and mediates between individual or group rights and the common good.
Objective:
• The student is able to evaluate the continuing struggle for e pluribus unum amid debates over national vs. group identity, group rights vs. individual rights, multiculturalism, and bilingual education. (Consider multiple perspectives)

Key Terms:
• Charro/Charra
• Lienzo
• E-pluribus unum (out of many one)
• Identity (individual, group and national)
• Identities
• Transnational
________________________________________________________________________

Begin this lesson with a free writing session followed by a class discussion.

Post the following questions.

• The goal of e-pluribus unum has been an ideal of the United States since it’s inception, yet how do Americans maintain both a sense of a national identity and cultural identities? Are these necessarily separate identities?
• What does e-pluribus unum (out of many one) mean in our multicultural, transnational world?

Ask students to free-write their responses to this question for several minutes.

Have them share their responses with a partner and/or report out to the class.

Exploring group and national identities in the Lienzo

Tales of Lienzos provides an opportunity for us to explore the idea of e-pluribus unum through the experiences of high school and college students, doctors, and professionals in other settings who are also Charros and Charras. The Charros and Charras depicted in this virtual exhibition are active participants in their larger communities and maintain a rich cultural tradition through the practice of Charrería. In their lived experiences, perhaps they embody how being “American” means moving within and between multiple cultural settings and identities. It is this idea that we would like you to consider in this lesson.

Scroll through the Lienzo on the first page of the exhibit and listen to the voices of the Charros and Charras.

Consider the following questions:

• How do you hear them expressing family/cultural identity?
• How do they express a group identity through Charrería?
• How is this practice compatible with the ideals of e plubius unum?
• Are there ways that Charrería is incompatible?

Using 3 sources (2 should be primary sources) within the exhibit and 2 outside sources (e.g. newspaper articles, interviews, and book excerpts) as evidence, respond to the following question:

• In a country as diverse as the United States, how can we honor the roots of the many cultural groups in this country while maintaining a sense of national unity?

The following excerpts may help you guide your students through this exercise.
Gosh, it’s like when you leave home, and you come back… and you walk in and you know it’s your home. You feel… that feeling of tradition and orgullo (pride), and felicidad (happiness). You feel really wonderful because you know it is part of Mexico, and part of your roots, but at the same time you are in the United States. And even though you are here, the tradition continues even if you are a Mexican-American or an American born in the U.S. you can still feel part of your roots. - MariaCorona-Smith

We have it, like I mentioned before, in our blood. You are just born with that tradition, which is authentic to Mexico.

Our families (and us) feel very proud that on this side of the border, because of the love that our parents instilled in us for this sport [charreria], we can continue to conserve it in the United States. And now we pass it on to our children. -Laura Rodriguez-Verbera

It is very difficult being a man or woman who practices charrería in the United States. One faces criticism, jokes... I live in a community where our tradition is unknown, much less the existence of charros, and they laugh at you due to ignorance. When I was a girl, I was ashamed to dress as an Adelita; I didn’t want to be Mexican. But my parents insisted that I not lose my roots and customs, since these are the foundation of our identity. Now I thank them for their persistence. (excerpt from, Charro in the US)

 


[1] Excerpted from National Center for History in the Schools, National Standards for History. www.sscnet.ucla.edu/nchs/standards